There has been much written in music pages recently, about Vampire Weekend and the way in which they have gotten all Paul Simon on our arses and injected afro-rhythms into their much-lauded self-titled debut album. From what I have heard of the album, it sounds like they have done a rather good job of incorporating these rhythms into their particular brand of indie-pop, however, our subject today is not Vampire Weekend. Nay, my friends, today we are here to talk about the band Yeasayer, and the beguiling album which they released a few months ago to quiet acclaim - All Hour Cymbals.
To be frank, when I brought this album home from the record store and threw it into my stereo, I thought I had been duped. I had heard only good things about the album from reliable sources, however, what I heard was... well, it was alright. It certainly didn’t blow me away upon first listen; or even the second listen for that matter.
However, through repeated listens, All Hour Cymbals began to open itself up to me. Instruments that I had not heard on previous listens; strange, engaging Eastern rhythms; layers of sound that danced around one another; a mélange of voices: singing, chanting, moaning. I was stunned that this sound had come from four guys holed-up together in Brooklyn.
Yeasayer’s sound is one that defies easy genre categorization. At times brooding, at others celebratory; thematically and stylistically, Yeasayer are all over the map, which, perhaps, may be their greatest charm. All Hour Cymbals is an album well worth taking the time to explore; and, having seen them put on one of the best shows thus far in 2008, I can vouch that Yeasayer are a band worth seeing live when they pass through your town.
Check Out: www.myspace.com/yeasayer
Key Tracks: 2080, A.H. Weir, Forgiveness
Feb 28, 2008
Yeasayer - All Hour Cymbals (We Are Free, 2007)
Posted by inhighfidelity at 8:55 AM