Chris Wilson - Live At The Continental (Aurora Records 1994, re-issued 2007)

Chris Wilson is an Australian blues artist with an amazingly soulful and powerful voice. This is a live album that was recorded in 1994 at the much venerated, and sorely missed, Continental Cafe in Melbourne, and serves to showcase not only Wilson's amazing voice, but also his strength as a songwriter.
I remember hearing the album's opening track, You Will Surely Love Again, in early 1996, and being brought to tears by the raw emotion it conveyed. Wilson's voice rides seemlessly above the quietly strummed guitar of Shane O'Mara - who is something of an unsung legend in the Australian music scene, while the forlorn sound of Wilson's harmonica late in the the song could break even the hardest of hearts.
You Will Surely Love Again is immediately followed by Wolves, another tour-de-force which sees Wilson's voice soar as he impines "Won't you come on home?" Face In The Mirror follows, a soulful number in which the song's protagonist, broken-hearted, snorting a line off a mirror, tries to convince himself that "the face in the mirror tells me that I'm doing fine."
These are simply the first three songs on the album, with six more of equal standard that follow. Live At The Continental is a brilliant red wine album; an album perfect for long winter nights; an album that you will want to curl up on the bean bag with. Chris Wilson is a huge talent as a singer, songwriter and harmonica player - and this album is a testament to that talent. The re-issued version of the album contains the original nine song album, plus an extra disc of songs recorded on the same night. So soulful, so good.

Check Out: http://www.chriswilson.com.au/ and http://www.lastrecordstore.com/independentsW-Z.html to buy the album online.

In(The)Flesh: Arcade Fire, Greek Theater, Los Angeles 05/30/07

Ever since I got my hands on The Arcade Fire's first album, Funeral, in the early part of 2005, I have been patiently waiting for them to play live shows in the Los Angeles area. It is a fact, that they played at the Coachella Festival in both 2005 and again late last month, but having attended Coachella in 2004 and swearing never to return having endured my most miserable festival experience in living memory, I resigned myself to wait until the band played their own shows. Finally, my patience was rewarded, when the band announced two shows at the Greek Theater in L.A. - quite possibly the best venue for live music in Los Angeles: a beautiful, open-air theater, nestled into the hills of Griffith Park. Granted, I would have loved to have seen the band in a more intimate venue, however, such has their meteoric rise in popularity been over the past two years, the Arcade Fire are no longer of small venues, aside from the occasional special shows, such that took place in London and New York earlier this year.
To say I had high expectations for the show would be an understatement, so too would it be to state simply that those expectations were far exceeded. From the opening song, Keep The Car Running, the six-thousand strong crowd were on their feet, eager to drink thirstily from the cup of The Arcade Fire. There was an energy running through the crowd that was almost electric, and the band responded in kind, with a performance that was full of the energy and bombast that people have come to expect of them.
Amazing renditions of (Antichrist Television Blues), Intervention, and Windowsill from the band's second album, Neon Bible, were met with equal rapture as tracks from Funeral, including Neighborhood #1 (Tunnels), Neighborhood #2 (Laika), and Neighborhood #3 (Power Out), among others.
The show climaxed with a three-song encore that included the already classic, Rebellion (Lies), and the closing number/call-to-arms, Wake Up. During Rebellion (Lies), Win Butler - the bands frontman - was greeted with much enthusiasm, as he jumped off the stage and made his way through the crowd from the front of theater all the way to the back, as the band played on.
The Arcade Fire put on an amazing show that was well worth the wait.